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Bheemla Nayak Review: A well-made masala drama with intense moments

What’s it about?

When a successfully off brat and ex-army man Daniel Sekhar (Rana Daggubati), heading from Hyderabad to a village in Andhra Pradesh to lend a hand a bachelor occasion by skill of Nallamala woodland, a community of excise and police officials stops his automotive on the take a look at post. A constable manhandles Daniel, and he assaults the officers. Just Bheemla Nayak (Pawan Kalyan), the sub-inspector of police, steps in and arrests Daniel.

Annoyed by his attitude, Bheemla Nayak furthermore writes FIR on Daniel. But he later realizes that Daniel is politically successfully-connected and informs the incident to his elevated officer. The officer tells Bheemla Nayak to treat Daniel successfully because it used to be a petty case, and Nayak is of the same opinion.

Daniel is disbursed to remand for 14 days. In retaliation, Daniel releases a video of Bheemla serving alcohol in the police put which snowballs real into a predominant clash.


Pawan Kalyan is illustrious for his temperament. He’s furthermore identified to beget deep appreciate for the culture and americans songs. The personality of Bheemla Nayak in ‘Bheemla Nayak’ mirrors his persona. Though ‘Bheemla Nayak’ is the remake of a successful Malayalam movie ‘Ayyapanum Koshiyam’, the role appears to be intended for the Powerstar. 

The fundamental plotline of ‘Ayyapanum Koshiyum’ is retained on this Telugu model. However the characterizations are tweaked. A flashback episode to the hero and interlinking the flashback to the climax fragment are the indispensable adjustments which had been performed by screenplay and dialogue creator Trivikram.

The movie’s setup is adore every other masala motion drama, however the treatment is various, more natural. Daniel Sekhar is no longer a spoiled person. Bheemla Nayak is a hero, but has flaws: he can no longer put watch over madden or let bolt of emotions. So, the drama dances on these two characters and builds eventualities out of them. There lies the magnificence in the script. 

The core of the struggle is a minor level. In a conventional worry, police officers don’t file conditions for possessing wine bottles in the automotive. However the guy used to be humiliated first. He then beat the officers, which finally ends up in the first subject. Then, Rana’s ego doesn’t let him bolt away the divulge there and pushes him to comprehend revenge by releasing a video of Pawan Kalyan. One little incident results in one more, and the other. The screenplay is structured in a formulation that it slowly reveals layer by layer how ego, prestige, and masculinity set aside a ripple build in a relaxed worry.

The fresh movie is furthermore a commercial one. But it used to be no longer louder. ‘Ayyapanum Koshiyum’ has more texture, more socio-political layers. Biju Menon stays restful for presumably the most phase. However the Telugu model is worthy more commercialized because it has shorter by 30 minutes, and bright. And ‘Bheemla Nayak’ furthermore tries to elevate heroism. 

The flashback episode in the 2d half of is one such instance. The dialogues mouthed by Pawan Kalyan at interval is one more one. The characterization of Pawan Kalyan is furthermore a chunk various from the fresh conducted by Biju Menon.

Nonetheless, unlike traditional commercial motion photos, ‘Bheemla Nayak’ doesn’t beget a romantic song or pointless songs. Apart from for one ‘Bheem Bheem Bheemla’ song, all other songs arrive in the background. Director Saagar Chandra and creator Trivikram beget made a steady balance of sticking to the fresh plan and paying provider to Pawan Kalyan’s image. 

This balance is what made the variation. The writing in the final act, especially the climax phase, appears overt commercialization, even when.

Because the movie is mainly a pair of clash between Pawan Kalyan and Rana, the performances have to be stable and they rep them correct. Pawan Kalyan is first payment in the role of Nayak. He underplays his role in most scenes but furthermore channelizes his energy in the hotel fight scene and in some parts in the 2d half of. The role is excellent to his off-show veil persona. Rana Daggubati as Daniel Sekhar is terrific. As a person with prestige, he does justice to the role. 

Nithya Menen is gorgeous as repeatedly, despite a restricted role. Samyuktha Menon is spectacular in her maiden Telugu role. She plays a a have to beget role in the climax phase, which doesn’t exist in the Malayalam model. Murali Sharma lends his trip to the role. Samuthirakani’s personality is critically no longer handled successfully right here. Rao Ramesh’s personality is a sore level.

The song has conducted a predominant phase. Thaman’s songs and the background opt up beget gelled completely with the theme. He has as soon as all another time proved that he can give what fans need with his background opt up. 

Trivikram’s dialogues are first payment. Dialogues adore “Peekesthe Lesta, Patesta Molusta”, “Tappu Telusukovadam, Tappu Kovadam,” level to his stamp. Director Saagar Chandra has performed justice. 

Backside line: Whereas staying precise to the core of the fresh Malayalam plan, ‘Bheemla Nayak’ is a more commercialized model with bright narration. Pawan Kalyan’s intense act, the clash between Pawan and Rana, and the intense moments beget made it an participating survey. If we bolt away comparisons with the fresh aside, the struggle of pleasure and self-love has gentle moments right here as successfully.

Rating: 3/5

By Jalapathy Gudelli

Movie: Bheemla Nayak

Forged:  Pawan Kalyan, Rana Daggubati, Nithya Menen, Samyuktha Menon and others

Song:  S Thaman 

DOP:  Ravi Ample Chandran

Editor:  Naveen Nooli

Art:  AS Prakash

Stunts:  Vijay 

Producer: Suryadevara Naga Vamsi

Screenplay, Dialogue:  Trivikram

Directed by:  Saagar Ample Chandra

Free up Date:  Feb 25, 2022

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