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Garuda Gamana Vrishabha Vahana Movie Review: Rage well captured

Garuda Gamana Vrishabha Vahana (GGVV) is an unprecedented work of art work. It’s far ruthless in its total persona, and it’s gallant filmmaking, which tries to significantly change all its rage true into a hearth that warms in preference to position off destruction.



Solid: Raj B Shetty, Rishab Shetty, Gopalkrishna Deshpande


Director: Raj B Shetty

GGVV entirely belongs to Raj B Shetty, who, after Ondu Motteya Kathe, has graduated to an impeccable kind of filmmaking in his second time out. With some extensive sequences and ambitious performances, the yarn of GGVV without problems glides through and is splendidly elevated by Praveen Shriyan’s cinematography and Midhun Mukundan’s song.

The gangster drama is ready the brotherhood between Shiva (Raj B Shetty) and Hari (Rishab Shetty) and is decided in the coastal backdrop of Mangala Devi. Taking a leaf out of Sri Devi Mahatme Yakshagana efficiency, Raj has brought the character traits of Bramha – the creator, Vishnu – the maintainer, and Maheshwara – the destroyer.

Shiva’s jumpy childhood turns him true into a rowdy who is overprotective of Hari. Enter Bramhaiyya (Gopalkrishna Deshpande), a sub-inspector who gets transferred to Mangala Devi. Their paths substandard when Hari rises to turn out to be noteworthy and rule the coastal metropolis. Will he safe lend a hand from Shiva, or will this rising impression their relationship?

These sequences are reflective of the assorted human emotions that conclude in a no longer-so-neatly thought-out climax. Even supposing there is a repetition of a few scenes, the movie maintains a excessive tempo. The filmmaker explores the custom of Mangala Devi, and does a elegant job of pumping adrenaline into the scenes, which furthermore brings out the loneliness, confusion, and internal turmoil.

While Raj Shetty breathes existence into his position of Shiva, Rishab Shetty shines with a dilapidated efficiency as Hari. Gopalkrishna Deshpande too does elaborate his director’s belief in him. Every actor of this ensemble has performed their phase exceedingly neatly.

GGVV boasts of a accurate craft, and is neatly-written and neatly-made. Functions to the team for no longer glorifying rowdyism in a movie, which is in actuality a gangster drama. The filmmaker has sketched out the character arc of a distraught child, who grows up to be a gangster, and the resulting issues. GGVV could gentle be skilled with an commence thoughts about appreciating the art work of filmmaking. 

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