Sila Nerangalil Sila Manidhargal might maybe well well have been many movies. With three furious young males on the centre, it will have been a masala revenge thriller. With a self-indulgent consumerist for one amongst the protagonists, it will have been a compelling cut-of-lifestyles drama. The romance tracks might maybe well have made it an exploration of like in two contrasting milieus. There might maybe be even a unhappy comedy hidden in the legend of a blue-collar employee whose makes an strive to flip white-collar are met with opposition. It’s miles to director Vishal Venkat’s credit that he takes your entire honest correct-looking paths in making his debut movie, Sila Nerangalil Sila Manidhargal.
Route: Vishal Venkat
Solid: Nasser, Ashok Selvan, Rishikanth, Manikandan, Reyaa, Ilavarasu, Bhanupriya
There are four storylines in Sila Nerangalil Sila Manidhargal, with all four fundamental characters being pushed by madden. We now have got Vijay (Ashok Selvan) sharing a somewhat loving even though infuriating equation with his father, Selvaraj (Nasser), and fiance, Malar (Reyaa). There might maybe be Rajasekar (Manikandan), a housekeeping govt at a excessive-discontinue resort, frustrated with his efforts not being recognised. A materialistic IT employee, Praveen (Praveen Raja), is incensed about his wife Kayal (Riythvika) not being conscious of how her “simplicity” impacts his online page online in society. Lastly, now we have a debutant actor Pradeesh (Abi Haasan), irked about living in the shadow of his essential filmmaker father, Arivazhagan (KS Ravikumar). Vishal takes his time to acquaint us with the storylines prior to all of them converge in a heart-wrenching moment. In plenty of ways, Sila Nerangalil Sila Manidhargal functions love the hyperlink model of Netflix’s Navarasa. The deliberate pacing on this 140-minute-lengthy movie enables us to empathise with each of the tales and enables the characters the dwelling to war thru the nine rasas prior to they at final salvage peace.
Even supposing Sila Nerangalil Sila Manidhargal might maybe well possible also honest even be when put next to hyperlink movies love Expansive Deluxe and Maanagaram, I leer this movie being same to something love Vaanam or the Malayalam movie, Online page online page online visitors. The plots stand on their merit regardless of the efficient convergence, and the choice to have this crisscrossing of worlds honest correct-looking on the midpoint of the movie is an excellent choice. After the time we use working out the worlds of the leads, we leer them all unravel one after the more than just a few.
What surely holds the movie collectively, other than the good writing selections, is the casting. Ashok’s Vijay and Manikandan’s Rajasekar are lustrous as two perennially furious other folk whose actions outcome in overwhelming guilt. The solitary interplay between these two characters is a treat to gape. Nasser is the standout performer in a movie brimming with top talents, and Ilavarasu, in a cameo, suits the passe in every formula. Particular sleek to Rishikanth, who performs Vijay’s honest correct friend, and aces a position that requires him to be unhappy but not too unhappy, and furious but not too furious.
As the transition from rage to guilt to redemption is extra pronounced in the tales of Vijay and Rajasekar, the tracks of Pradeesh-Arivazhagan and Praveen-Kayal surely feel somewhat underexplored. Vijay and Rajasekar are from the lower-center-class strata, whereas the more than just a few protagonists exist in the urban elite dwelling. The movie too spends extra time on the passe two, and in flip, we realize them better. In the latter, we receive glimpses and checkbox persona traits, and even the emotional funding in their plights remains superficial.
This isn’t to teach that those storylines don’t have merits. The solid undercurrent of humour in the Pradeesh-Arivazhagan legend (that comprises Anju Kurian in a hilarious cameo) works, and so does the style wherein Praveen’s pompousness is dealt with. Vishal’s writing (with dialogues by Manikandan) ensures that we don’t overstay on any particular emotion. This aspect is simplest showcased in the buildup to the poignant interval block where the smiles and stress-free receive interspersed with rigidity and thrills. Be it the commentary on the superficiality of social media and the relentless trolling or the empathy that is looked for characters who strive against an interior war between effort and self-disgust, the spectacular writing delves right into a gamut of feelings, and comes out largely unscathed.
Sila Nerangalil Sila Manidhargal is ably supported by Radhan’s song, even though there are cases when the background ranking gets too coercive, and Meyyendiran’s cinematography which captures South Chennai in its pure glory. Prasanna’s bettering that manages the multiple storylines, is a strength too.
Sila Nerangalil Sila Manidhargal has plenty going for it even though there are a pair of missteps alongside the style. As the credits rolled, and the tears dried up, I felt that the movie achieved its cause of reminding us to revel in the small pleasures in our lifestyles, convey our apologies, and dwell our lives a small extra wholesomely, prior to it is too late. Also, this movie is an instance of the expertise Tamil cinema has at its disposal; let’s hope then that they too recover-utilised prior to it is too late.
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